In what way can gender be understood to inform the consumption of film Essay

In what modal value can gender be understood to inform the consumption of claim - Essay ExampleThe consumption of film then places a sense of boundaries among women which relate to specific films. The result is a different sense of gender identity and the way in which one should relate to society. The concept of gender identity and the relationship which this created in film was the undercoat of the female experience and consumption within the cinema. Perspectives of Cinema The first association with cinema is based on the spectator and the identity which is created from different perceptions. In a current study (Broadcasting Standards Commission, 1998), it was noted that the difference in perception changed according to gender. Women and men, for instance, viewed the ideal of violence differently. Women were known to have a stronger relationship to the aesthetics of the film as well as the impact of violence. This was fur on that pointd with a direct relationship which was create d to the film and the violence, specifically as women created a relationship to the victimization that often occurred within movies and the sports creations. Men however, had a different psychological resolution and didnt separate the actions of the movie with reality or the actions which they took in various situations (Broadcasting Standards Commission, 1998). ... The cinema was the product which was knowing to create a sense of identity. The women became spectators by also consuming the identities which were on television and the representation which this had. The general ideology was based on the consumption of women as an inclination in which they were meant to represent an identity or component of life. This objectification was followed by the production and reproduction of familiar forms of identity as well as how this could set up the women in society. Spectators then not only became associated with the relationship and emotional responses, but also associated with the consumer ideal and the understanding of what female identity should be inclusive of (Stacey, 1995). The relationship to the spectator with gender identity which one could associate with then became the main point of consumption and objectification of females. However, this specific relationship began after the wartime and with the movement into contemporary film. In the films of the 1930s, there was a specific identity which was based on the woman being the equal to man. Often, there were women who would play the same roles as men and which wouldnt have different clothing or otherwise approaches to identification. After the 1940s and 1950s, the gender identity began to split, specifically with Film Noir and other experimental approaches. This allowed the identity and the object of gender to split into identifying individuals according to the sociological realities which were in society, allowing for questions to occur with objectification and identity. However, spectators which we re looking at this also began to clear over generalized accounts of gender and mimicking this with the